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内容简介
《当代国外语言学与应用语言学文库》首批54种自2000年9月问世以来，取得很大成功，首印5000套供不应求，10月份便分开重印6000套。能在短短的几个月内出版发行如此宏大规模的语言学著作，这在我国学术出版发行史上是不多见的。自出版以来，许多单位和个人争相订购，研究生和大学生生把《文库》视为良师益友，教师无论老中青都把《文库》视为知识更新的源泉。实践证明，外研社推出的《文库》受到了国内语言学界和外语教学界的普遍好评，它将成为推动我国语言学教学与研究和外语教学与研究的一个宝库。 在成功出版《文库》首批54种的基础上，外研社现在又推出《文库》第二批58种。《文库》第二批具有五大特色：一、由58部英文原著组成，所覆盖的学科从首批的26个增加到现在的33个，新增学科包括语言学史、语言哲学、认知语言学、人类语言学、语言的起源、语法化学说等，能更广泛地满足读者的需求；二、收入了当代语言学大师索绪尔、萨丕尔、布龙菲尔德、韩礼德、乔姆斯基、奥斯汀、格莱斯、利奇等名家的最有影响的伤口具有更高的权威性；三、增加了牛津大学出版社、哈佛大学出版社等世界知名出版社出版的语言学经典著作；四、依然配有专家导读，专家的队伍比首批更为强大；五、世界著名语言学家乔姆斯基教授和我国著名语言学家沈家煊教授作序。 本《文库》是一个大型的、开放性的系列丛书，它将对我国语言教学与研究和外语教学与研究起到积极的推动作用。今后，外研社还将继续引进，争取把国外最新的、最具影响的语言学和应用语言学著作不断地奉献给广大读者。
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目录
目 录 Preface by Halliday 王宗炎序 Preface by Chomsky 沈家煊序 导读 Foreword Preface Acknowledgments INTRODUCTION 0.1 The ''''lang.-lit.'''' problem 0.2 A deScriptive rhetoric 0.3 Poetic language and ''''ordinary'''' language 0.4 A possible misgiving Notes PoETRY AND THE LANGUAGE OF PAST AND PRESENT 1.1 Varieties of English usage 1.1.1 Dialects 1.1.2 Registers: usage according to situation 1.2 Linguistic convention in poetry 1.2.1 The trend of conformity 1.2.2 The function of archaism 1.2.3 Poetic language and ''''poetical'''' language 1.2.4 Grand, middle, and plain styles 1.2.5 The routine licences of verse composition Examples for discussion Notes 2 THE CREATIVE USE OF LANGUAGE 2.1 The escape from banality 2.2 Two meanings of''''creative'''' 2.3 The qualities of prose in poetry 2.4 Degrees of linguistic audacity Examples for discussion Notes VARIETIES OF POETIC LICENCE 3.1 Anatomy of language 3.1.1 Three main levels: realization, form, semantics 3.1.2 Phonology and graphology 3.1.3 Meaning and significance 3.1.4 Ancillary branches of linguistics 3.2 Types of deviation 3.2.1 Lexical deviation 3.2.2 Grammatical deviation 3.2.3 Phonological deviation 3.2.4 Graphological deviation 3.2.5 Semantic deviation 3.2.6 Dialectal deviation 3.2.7 Deviation of register 3.2.8 Deviation of historical period 3.3 Conclusion Examples for discussion Notes FOREGROUNDING AND INTERPRETATION 4. 1 Foregrounding 4.1.1 Foregrounding in art and elsewhere 4.1.2 An example 4.2 Interpretation 4.2.1 The subjectivity of interpretation 4.2.2 The ''''warranty'''' for a deviation 4.3 Parallelism 4.3.1 Parallelism as foregrounded regularity 4.3.2 How much regularity 4.3.3 Patterns of identity and contrast 4.3.4 The interpretation of parallelism Examples for discussion Notes VERBAL REPETITION 5.1 Schemes and tropes 5.2 Formal repetitions 5.2.1 Free verbal repetition 5.2.2 Types of verbal parallelism 5.2.3 The functions of verbal parallelism Examples for discussion Notes 6 PATTERNS OF SOUND 6.1 Sound patterns within syllables 6.2 Sound patterns in relation to stress 6.3 ''''Music'''' in poetry 6.4 The interpretation of sound patterns 6.4.1 ''''Chiming'''' 6.4.2 Onomatopoeia 6.4.3 Varieties of onomatopoeia Examples for discussion Notes METRE 7. 1 Rhythm and metre 7.2 The rhythm of English 7.2.1 The measure: the unit of rhythm 7.2.2 Which syllables are stressed 7.2.3 Pauses 7.2.4 Syllable length 7.3 Metre and the line of verse 7.3.1 English metre as rhythmic parallelism 7.3.2 The ''''foot'''' of traditional prosody 7.3.3 The line of verse 7.3.4 Some numerical aspects of metre 7.3-5 Accentual metre 7.4 The interaction of rhythm and verse form 7.4.1 Defeated expectancy 7.4.2 Metrical variation 7.5 Grammar and metre 7.5.1 Enjambment 7.5.2 The ''''verse paragraph'''' For discussion Notes THE IRRATIONAL IN POETRY 8.1 A logical view of meaning 8.1.1 Some types of semantic oddity 8.1.2 Definition and deScription 8.2 Redundancy in poetry 8.2.1 Pleonasm 8.2.2 Tautology 8.2.3 Periphrasis 8.3 Absurdity in poetry 8.3.1 Oxymoron 8.3.2 Paradox 8.4 Beyond reason and credibility Examples for discussion Notes 9 FIGURATIVE LANGUAGE 9.1 Transference of 9. 1.1 Synecdoche 9. 1.2 Metaphor 9. 1.3 Metonymy 9.2 Aspects of metaphor 9.2.1 How to analyse a metaphor 9.2.2 Simile and metaphor 9.2.3 Notional classes of metaphor 9.2.4 Extended metaphor 9.2.5 Compound metaphor and mixed metaphor 9.2.6 Symbolism and allegory Examples for discussion Notes 10 HONEST DECEPTIONS 10.1 Hyperbole and litotes 10.1.1 Hyperbole 10.1.2 Litotes or rhetorical understatement 10.1.3 The uses of hyperbole and litotes 10.2 Irony 10.2.1 The mask of irong 10.2.2 Irony and metaphor 10.2.3 Innuendo 10.2.4 Irony of tone Examples for discussion Notes 11 IMPLICATIONS OF CONTEXT 11.1 Licences of situation 11.1.1 Rhetorical question 11.1.2 Apostrophe 11.1.3 Routine licences of situation 11.2 The given situation 11.3 The ''''world within the poem'''' 11.3.1 The introduction of inferred situations 11.3.2 Words of definite meaning 11.3.3 Fact and fiction 11.3.4 Impossible situations 11.4 Situation and action 11.5 Conclusion Examples for discussion Notes 12 AMBIGUITY AND INDETERMINACY 12.1 Kinds of ambiguity 12.2 Puns and word-play 12.2.1 Technical variations 12.2.2 In defence of the pun 12.3 Open interpretation 12.3.1 Sources of multiple and indeterminate signifi- cance 12.3.2 The analogy of visual arts 12.3.3 Seeking the optimal interpretation Examples for discussion Notes CONCLUSION Notes Suggestions for Further Reading General Index Index of Sources of Examples for Discussion 文库索引
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